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The specifics of the plot further this theme. His mother believes in him nobody is in mortal danger his Spider-Man is slowly winning the hearts of New York City.

His only problem is that he hasn’t come clean about his undercover identity to his parents, which causes friction with his well-meaning father. His parents are alive and well, he isn’t a poor or geeky loner, and he’s on his way to a great college. In other words, the teacher is implying that there’s not enough struggle and grief in Miles’ life for him to be a Spider-Man. Miles’ mother Rio reminds the teacher that Puerto Rico is very much a part of America father Jefferson mentions that they own a whole floor in a Brooklyn building and he’s about to be promoted to captain of the police force. She asks if she can dramatise it a bit on paper - an immigrant mother, a tough childhood or something. She is worried that, despite being a good student, his profile might not be interesting enough for colleges to consider him. The teacher speaks to his parents in a concerned tone, and wonders what Miles’ “story” is. It’s a universe, but also a verse of eye-popping poetry designed to remind us that belonging and acceptance are the cornerstones of every teenager’s journey.Įarly in the film, Miles Morales, the spirited teenager who’s taken up the mantle of being Spider-Man on Earth-1610 (his world), is late to his evaluation at school. Frames flit between panels and colour-shifting paintings, leaky graphic art and messy crayon-crawls, at times almost replicating the illusion of food stains and oily creases on the comic pages we grew up reading during our meals. It’s a wonderful assault on the senses, and not without reason. Into the Spider-Verse reinvented the language of animation - as a trippy, adult medium of hand-drawn fury - by merging the visual grammar of dreams with the emotional grammar of alternate reality. Every world has a Spider-Man of a different heritage, race, religion, gender, form and age not for the sake of diversity, but as a myth-busting nod to the fact that superheroes are only as lonely as the minds that imagine them. The Spider-Verse is no Marvel nostalgia gimmick - it is a metaphor for the long-standing relationship between comic-book storytelling and the fans who interpret their heroes in the texture of where they come from.

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