Printed images - and the comic book medium’s unique presentation of them - are at the heart of this feature. From floppy single issues of superhero sagas to hefty graphic novels, harrowing comic-book memoirs to YA fare about queer adventurers, readers can tap into a dizzying array of what the great cartoonist Will Eisner famously termed “sequential art.” And, as evidenced by the sheer number of adaptations in film, television, and even on the Broadway stage, the rest of the entertainment industry has grown wise to what fans have long known: There’s a special alchemy that comes when you tell a story with pictures. Yet today, the medium is flourishing in ways its ancestors could never have imagined.

Cheaply printed and barely edited, those pamphlets were not what a critic at the time would have called high art. When the first comics arrived on newsstands in the early 1930s, they were a cynical attempt to put old wine in new bottles by reprinting popular newspaper comic strips. Rather, it took a steady progression over the course of more than 75 years for the form to fully understand, and then harness, its powers. No radioactive spider bite, atomic explosion, or shadowy experiment granted the medium the sort of ability that would have allowed it to arrive on early-20th-century drugstore racks as glossy, fully formed vehicles for sophisticated entertainment. The origin story of comic books isn’t flashy.

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